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THE “BEEF” PHENOMENON AND PATTERN IN NIGERIA RAP MUSIC: A CRITICAL REVIEW
₦ 5,000.00
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PROMOTING SMALL SCALE BUSINESS IN UNIVERSITY CAMPUSES THROUGH DRAMA: UNIVERSITY OF BENIN, AMBROSE ALI UNIVERSITY AND BENSON IDAHOSA UNIVERSITY AS CASE STUDIES
₦ 5,000.00
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HEATRE AND THE VIRTUAL AUDIENCE: TRANSMEDIALITY IN PERSPECTIVE: USING THE LION KING STAGE PLAY AS A PARADIGM.
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USING DANCE AS A FITNESS TOOL A CASE STUDY OF POP CULTURE DANCE.
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THE USE OF CHARACTER FLAWS AND WEAKNESSES IN CREATING A SENSE OF REALISM AND AUTHENTICITY IN PLAYWRITING
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HOUSE MANAGEMENT AS A TOOL FOR AUDIENCE MOTIVATION IN THE THEATRE
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THE RELIGIOUS SIGNIFICANCE OF AFRICAN RITUAL DANCE: OHOGHO DANCE OF UGBOKO NUMAGBAE AS PARADIGM
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APPLYING THE PRINCIPLES OF MANAGEMENT IN MANAGING A FESTIVAL: ISI FESTIVAL IN PERSPECTIVE.
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THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE USING QUEEN IDEN PLAY PRODUCTION AS A CASE STUDY
₦ 5,000.00
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UMUSHAGIRIRO DANCE OF TUTSI PEOPLE IN RWANDA AS A DANCE OF RESTORATION OF PRIDE AND DIGNITY
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AFRICAN DANCE AS A MEANS OF COMMUNICATION: A CASE STUDY OF EMA ROYAL DANCE OF UGHELLI PEOPLE
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CHARACTER INTERPRETATION IN NIGERIAN VIDEO FILMS: CASE STUDY OF SOLA SOBOWALE AND SHAFFY BELLO IN THE MOVIES “KING OF BOYS” AND “THE BLACK BOOK”
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