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STRATEGIES FOR MANAGING MUSIC AND DANCE PERFORMANCES IN EKABA FESTIVAL OF URHONIGBE PEOPLE
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HOUSE MANAGEMENT AS PUBLIC RELATIONS TOOL IN THE THEATRE: A STUDY OF SELECTED THEATRICAL PRODUCTIONS.
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THE DIRECTORIAL STYLES AND APPROACHES OF KUNLE AFOLAYAN: A CRITICAL STUDY OF SELECTED NOLLYWOOD FILMS
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MANAGING STAGE PLAYS, THE ROLES AND INFLUENCE OF A STAGE MANAGER
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WE-MEN VS WOMEN: RE-EMERGING LEADERSHIP IN AKINWUNMI ISOLA’S EFUNSETAN ANIWURA
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EXAMINATION OF SONIC AND VISUAL AESTHETICS IN THEATRICAL PRODUCTIONS OF SELECT THEATRE TROUPES
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IMPACT OF A CONDUSIVE AND SUSTAINABLE THEATRE ENVIRONMENT: FOCUS ON MANAGEMENT OF THE UNIBEN THEATER.
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DIRECTOR AS A CREATIVE ARTIST BEYOND THE SCRIPT; EXPERIMENTING WITH A SHORT FILM.
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THE USE OF STORYTELLING IN CREATIVE EDUCATION; UNIBEN CONSULTANCY PRIMARY SCHOOL AS A CASE STUDY.
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USE OF APPLIQUE AND BEADING TECHNIQUES TO ENHANCE THE APPEARANCE OF OTU-OGWU WOVEN TEXTILE OF THE ENUANI PEOPLE OF DELTA STATE, NIGERIA
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“OROMPOTO”; A LITERARY ADAPTATION OF THE YORUBA LEGEND AJIUN OROMPOTONIYUN
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TACKLING SOCIAL ISSUES THROUGH NOLLYWOOD USING OCTOBER 1ST BY KUNLE AFOLANYAN AND SHANTY TOWN BY XAVIER IGHORODJE AS CASE STUDIES
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