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ABSTRACT
The issues of subjugation of women resonorates through both Femi Osofisan's Atlines Wrath and Women of Owu. These plays demonstrates the ills of subjugation in a holistic patriarchal society. The playwright artistically used his characterisation to expose these fundamental mistreatment of women in the ideal human society. Both plays, spanning towards different periods in history, manages to pass across the same sacrosanct message. The difference in year's of publication and society mirrors in these texts portrays the need for active reconsideration of the placement of women roles. Women of Owu situated in the post colonial times, and Altines Wrath, mirrors decades of year's after colonialism both conveys the workings of this contemporary social realism representation of women.
