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ABSTRACT
This study delves into the role of filmic art as a cultural and historical documentation tool through an examination of select Nigerian films, namely The Wedding Party 1, October 1 and Invasion 1897. This study focuses on dance, music and drama by highlighting the influence of the Nigerian film industry, particularly Nollywood, on the global dissemination of Nigerian culture. The study employed qualitative content analysis as the methodological approach to examine the role of filmic art in representing Nigerian culture and documenting her history. The findings of this study reveal that these films have played a significant role in preserving and representing Nigeria’s rich cultural heritage and historical narratives. Additionally, the research highlights that films serve as a mirror reflecting the socio political, cultural and historical dynamics of Nigeria. This study recommends that Nigerian filmmakers should explore their cultural resources, advocate for the archiving of older films, integrate Nigerian films into educational curricula, and emphasize cultural sensitivity and authenticity in film portrayals. These recommendations can contribute to the preservation, promotion, and deeper understanding of Nigerian culture and history through filmic art.
