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ABSTRACT
The phenomenological hermeneutics of beauty reveals that the fundamental problem that is closely associated with aesthetic appreciation and aesthetic judgment. Photography remains one of the fundamentals of human knowledge and the acquisition of human knowledge is limited. The phenomenological insight and transcendental reductions of photography reveals the need for the absolute certitude of knowledge. We must command knowledge and our knowledge of things must be absolutely certain. Philosophers have been in the forefront of this quest for certainty in knowledge. The phenomenology and the epistemology of photography reveals that the concept of beauty is external to us. The concept of photography triggers the notion of phenomenological experience, perception, and intentionality.
