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ABSTRACT
A comparative study of stage acting and screen acting: prospects and challenges using midnight hotel by Femi Osofisan and chief daddy by Mosunmola Abudu and Temidayo Abudu. This comparative consideration delves into the nuanced contrasts between film and theatre as moves of narrating and imaginative expression. The research explores how actors navigate differences in projection, intimacy and the manipulation of time and space. Analyzing their respective methods, group of onlookers engagement and effect on account conveyance, the investigate points to clarify the unstable qualities that shape these two energetic mediums. By exploring the strengths and limitations of each this study contributes to a deeper understanding of how storytelling evolves within the dynamic interplay of cinematic and theatrical realms
